Medieval sculpture and works of art : the Thyssen-Bornemisza collection / Paul Williamson ; general editor, Simon De Pury
Language: Inglês.Country: Reino Unido.Publication: London : Sotheby's Publications, 1987Description: 175 p. : il. color ; 31 cmISBN: 0856673358.Abstract: Baron Thyssen-Bornemisza's collection of Medieval sculpture and works of art is wide-ranging in its scope. It includes fine Gothic sculptures on a large and small scale, ivories and enamels from major European centres, and works of art in other media. In this catalogue every object is illustrated in full colour, often with several different views, and there are many illustrations of comparative detail. The author, Paul Williamson, in addition to discussing the pieces themselves in detail, also addresses himself to wider issues of interest to the student of Medieval art. In a lengthy introduction, he writes two informative essays: one on the collecting of Medieval works of art and the other on the materials and techniques of the Medieval artist..SUDOC serial history: : .Subject - Personal Name: Thyssen-Bornemisza Hans Heinrich Baron -- arte | Subject - Topical Name: Escultura Medieval -- catálogo -- EuropaCurrent location | Home library | Call number | Copy number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|---|
Arquipélago - Centro de Artes Contemporâneas
Centro de Artes Contemporâneas Terça a Domingo | 10h00 as 18h00 Loja Terça a Domingo | 10h00 às 18h00 Biblioteca Terça a Sábado | 10h00 às 18h00 |
Arquipélago - Centro de Artes Contemporâneas
Centro de Artes Contemporâneas Terça a Domingo | 10h00 as 18h00 Loja Terça a Domingo | 10h00 às 18h00 Biblioteca Terça a Sábado | 10h00 às 18h00 |
73.03 WIL | E927 | Available | E927 |
Baron Thyssen-Bornemisza's collection of Medieval sculpture and works of art is wide-ranging in its scope. It includes fine Gothic sculptures on a large and small scale, ivories and enamels from major European centres, and works of art in other media. In this catalogue every object is illustrated in full colour, often with several different views, and there are many illustrations of comparative detail. The author, Paul Williamson, in addition to discussing the pieces themselves in detail, also addresses himself to wider issues of interest to the student of Medieval art. In a lengthy introduction, he writes two informative essays: one on the collecting of Medieval works of art and the other on the materials and techniques of the Medieval artist.
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